Do ya dig the New Mediators?

August 3rd, 2009 § 2

So: The New Mediators.

Hot stuff, yo? The solution to complex infographic ideas? These guys have chops that give Edward Tufte and The New York Times infographics squad a run for their money.

But what a letdown. Where’s the beef? The data? The way to bake in the intelligence of the network—people, aggregated and curated news, comments and real time tweets? Where is it?

If you’re going to work in Flash, at least work in Flex so you can include data below those pretty pictures. (And by the way, wouldn’t it be great to be able to bring underlying Flex databases together so that you could build in a mashup with, say, Facebook? Where’s Facebook Connect in all this?)

Tetris and us (+25)

June 24th, 2009 § 0

This is the "O" from the game of Tet...
Image via Wikipedia

From Max Kalehoff:

One of the most innovative and addictive aspects of Tetris is the perpetual, intensifying stream of bricks the player must align without spaces. In fact, this very element foreshadowed howwe now consume most news content and personal status updates on the Web: in reverse chronological streams. Tetris’s layers of bricks fall with greater speed and complexity as you master the ability to arrange them in straight, crumbling rows. That is not unlike news feeds and status updates that funnel into your desktop and mobile interfaces, intensifying as your ability to sort and digest them increases. Indeed, there are classical elements of game mechanics in both examples.

This is the
Image via Wikipedia

It’s true. I was a Tetris addict the same way that I am now a Google addict. A former flame of mine used to complain about my Tetriholism,…until she started playing herself. Next I knew she’d bought a handheld Tetris gameplayer to keep at it.

This is the
Image via Wikipedia

The truth is Tetris—like Google—hits many of the same nerve centers. The increasing velocity. The sense that you are building something with each addition to your media profile. The simplicity of the color schemes. I’ve often wondered if there wasn’t some great flowering of digital culture before glasnost and perestroika. Not just Tetris, but Paragraph (a predecessor to Graffiti), and of course Triz, which is older (by a generation) but found a new wave of adherents thanks to digital technology.

Too bad Tetris is a locked and closed system…

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